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intro
channel disclaimer
2-3-chain as common tool
2-3-chain above pedalpoints (Paisello, Pergolesi and improv by me)
2-3-chain above Romanesca
more sequences (2 differen dissonant cascades)
sweet verset by Händel (?) showing the 9th
equivalence of 2-3 and 7-5
2-3-chain and cadences - generating the "Karussell" (Freiburg) or "Rugiero" (Hamburg)
broken down to the Romanesca
reverse engineering of the initial example by Corelli
Introduction
Beginning, middle, end
Why it's uncommon to end the middle section in the dominant key
Two reminders (tempo; brevity)
TSCR formalism: what? what for?
T: Themes
S: Sequences
C: Cadences
R: Transitions
Example: Prelude from English Suite 4 in F major
Common constructions from TSCR pieces
Beginnings: common elaborations of TSC
Demo 1 in C major
Demo 2 in G minor
Demo 3 in F major
Demo 4 in D minor
Outro