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I played this song many times during my Animenz live concerts in the past and I improvised if from the scratch every time. However, the beginning part.with the flowing arpeggios was one of my favorite arrangement ideas, so only this part was never changed.
That's why I deliberately arranged the left hand accompaniment in a very upbeat rhythm, especially during the chorus in.I have listened to the full version of A Cruel Angel's Thesis many times already, but the part which I still don't fully understand is the mysterious "guitar solo" part, right after the first chorus.
I am not sure what exact harmonies are played in the original song, but many piano cover versions use this opportunity to start their own individual piano solo parts, which can range from incredibly jazzy to a very lyrical style. I used a rather minimalistic approach by reducing the sound to a minimum of two bass notes in the left hand.because I wanted to focus the attention to the upcoming choir part in .
For the final repeat of the chorus in.I was using an alternative harmonization in the left hand to steer the song towards the big climax at . Imagine a Tam-Tam (a gong-like orchestra instrument which makes a DWAAAAAAANG~ sound) being striked at this moment. And after this turning point, I changed the atmosphere back like it was in the beginning and for one more time, the flowing right hand arpeggios are returning in . But this time they are going all the way up - like an ascending angel - until it reaches C8, the highest possible piano key. I think I am using the C8 note for the first time in any of my arrangements.