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One of the most distinct characteristic of the original song is the piano ostinato (a rhythmic pattern, that is repeating the whole time in the background), which is being introduced in the beginning of the song. For this arrangement, the piano ostinato is only vaguely hinted in the left hand at.and it also appears in the right hand in . It only starts to develop during the intermission in until it finally reaches its full bloom in the second verse in . This is the moment where The Everlasting Guilty Crown is really starting.
From this point on, I was trying my best to carry the spirit of the original song through the second half of this piano arrangement. But the turning point of the entire piece is the calm before the storm in.In this short moment, I was reflecting all the past arrangements I have created, all the struggles I had to go through in order to continue and my constant obsession with perfectionism. So I utilized everything I could think of to make the final chorus count, be it three hand technique, fast right hand runs, or multiple voicing.